About Ans

Like a magpie bird, Ans has always had a peculiar fascination for shiny objects, and especially for glass. The dutch-born artist has been working with glass for the past year, after becoming inspired by a workshop she participated in while in Varmland, Sweden. The fragile yet powerful material is what has always captivated Ans’ interest in glass, and is what continues to motivate her to experiment or “play” with the medium daily. Ans often compares her glass fusing practice to her background in the culinary arts, where “the more you experiment, the more things come out of it and the more fun you have.”

Glass fusion is a meticulous process that takes time. It can take 12 hours or longer for one object to fuse in the kiln. And, depending on the complexities of the piece, multiple firings may be required. Like the medium of glass itself, the kiln is a delicate tool that needs detailed attention. There are numerous stages of heating in the firing process: initial heating, process heating, fast cooling, annealing, cooling to room temperature, and more. All of these require particular amounts of time, based on the particularities of the piece! If the temperature is incorrect, the glass may break. So, familiarizing oneself with the kiln is a critical part of the glass fusing process. This is where much of the initial experimentation for Ans took place. A combination of “research and play” is what enabled her to become accustomed to the kiln, and furthermore create more complexities within her pieces.

Ans works from her home studio on the tranquil Spanish island of Mallorca, surrounded by beautiful flora, lush greenery, and (almost) constant sunshine. Through the colors, patterns, and textures in her glass-fused creations, one can easily observe how Ans’ surroundings have influenced her work. And, her work is indeed as diverse as her surroundings! From flora to fruit, from fish to salamander, and from geometric to organic patterns, Ans’ love for the natural world is undeniable and present throughout all of her work. In fact, other natural materials are frequently combined with her finished products. Wood or natural stone from local sources on the island are often used as supportive bases for her glass pieces.

Ans’ creations range from small jewelry to large bowls and plates, and all kinds of figurative and decorative objects, as well as 'special projects' for public places like schools, town halls, and shops.